Letter and title graphics for Next Models’ talent directory throughout their website. Created under the direction of Joe Misurelli at ALLDAYEVERYDAY.
The New York Times has been trying figure out the future of journalism. Nowadays, when news happens, the first person on the scene isn’t a reporter, it’s usually a kid with a smartphone and a Twitter account. The future is citizen reporting. PrivateEye is a pitch for an app that allows and incentivizes people to become there own P.I. and break the news whenever it happens.
In horse racing, even the winners are losers. Even if a horse wins every prestigious race, collects trophies, and brings in over a million dollars in prize money, almost nothing saves it from being sold to foreign slaughterhouses if it get’s injured. Injuries should end careers, not lives.
It’s about time Bond had a proper, web-based museum where visitors can read about everything that has made him a household name over twenty-three films.
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New York Magazine’s High Priority has become something more meaningful than just a collection of weekly events. Connecting it with the idea of a Swiss Army knife shows that the whole is greater than the sum of its parts.
NYS Conservationist needs a rebrand. Speaking to younger generation, the identity will be entirely updated with a new logo, a modern layout design that makes room for larger, more vibrant photos, and a content strategy that also speaks to people outside of New York, while still remaining true to its essence: the outdoors.
The Central Park Zoo is always overshadowed by its bigger brother the Bronx Zoo, but who wants to go all the way to the Bronx? The Central Park Zoo is just as exciting and much closer. So close that it breaks out into Manhattan completely taking over nearby subway stations and trains.
“A mini-site that takes a look at the world through common stereotypes,” said the loud, rude kid from New York.
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Two designs promoting Claes Oldenburg’s Books And Ephemera exhibition at Printed Matter, Inc. Restricted to designing within a square, using Trade Gothic weights and styles, black and white.
The Now Issue
#35
A promotional campaign for the American Conservatory Theatre’s production of Blood Knot, a play about the bond between two nearly completely different brothers.
